Resources and Tips

Social Media and Picture Framing

Posted in Business, Resources and Tips, Uncategorized on November 24th, 2009 by Mark Rogers – Be the first to comment

I am happy to announce that Frame Destination, Inc. has finally gone social with Facebook and Twitter. I always greatly enjoy interacting with our customers via phone, email, and art events, but this allows us to take that to another level. Facebook appears to be an ideal venue to allow our customers to give us public feedback and learn more about what goes on inside Frame Destination and how me make picture frames. Our customers often tell us they love to refer their friends and this should make that easier. Feel free to become a friend, fan or follower…



Follow FramerMark on Twitter

Cheers,
Mark
Frame Destination, Inc.

Special New Bubble Bag Makes Framed Art Transport Easy!

Posted in Frames, Picture Framing, Resources and Tips, bubble bags on October 3rd, 2009 by Mark Rogers – 2 Comments

GalleryPouch Bubble Bag

GalleryPouch Bubble Bag

Frame Destination Inc. has partnered with Andrew Darlow of The Imaging Buffet to bring to market our new GalleryPouch™ Gold art bubble bags to solve the problem of safely transporting framed art and canvas gallery wraps to and from art galleries and art shows. Our best version of GalleryPouch™ Gold includes a resealable Velcro® flap. GalleryPouch™ Gold is available in over 100 standard sizes or full custom. They are available in square, rectangular and even tube shapes to help protect rolled canvas. We also offer the GalleryPouch™ Gold with just a flap and no Velcro® as a cost saving alternative. We have created a bubble bag help page with calculators to help you determine the size you need.

The GalleryPouch™ Gold is a premium bubble bag composed of heavy duty laminated 3/16 polyethylene bubble. The bubbles are sandwiched between two layers of durable polyethylene sheet to help protect the. The bag can be used over and over again to protect and transport art work. Our photography customers can also use the bags to help provide additional protection to portfolios or even tri-pods with the tube shaped GalleryPouch™ Gold.

Cheers,
Mark
President
Frame Destination, Inc.
http://www.framedestination.com

How I sell my photography gear on eBay

Posted in Photography, Resources and Tips on August 4th, 2009 by Mark Rogers – Be the first to comment

It is critical that you have an established account with some time and 100%
positive feedback. If you don’t your bids are limited to scammers, and people
that are ignorant about how eBay works. For products like used camera gear, the
law of supply and demand is as reliable as the law of gravity so I don’t use any
reserve and I set the starting bid at 1 cent. If it is a common item you can watch
it sell a few times and see the price window of where it sells. In general, the
poor quality ads will fetch less money. I always sell at the top of the window.
For my ads, I take lots of high quality pictures. If there is a defect, then I
will take a good picture of the defect, and I will point it out so people can
see what they are getting and feel more comfortable that I am not hiding things.
In addition to the specs I will provide some personal commentary on how I used
the equipment and what I liked about it. This helps people see that I am an
individual selling my own gear, as opposed to a thief selling stolen gear,
someone running a junk sale out of their garage, or a scammer that actually
isn’t selling anything at all. Thief’s and scammers are lazy and do not take
time to create personal ads. I have no need for hidden reserve prices and think
many just use them to try to sell to fools. I also have no need for a high
starting bid, it just cost more money. Since I have no reserve, and a 1 cent
starting bid I will usually have several bids in the first couple days which
helps it stand out in the listings. I have used this method on a dSLR that
ultimately sold for over $1,000. I have also used it for iPods, other
electronics, and tools with no problem. Do not try it with art or framing
products, it won’t work for those types of items.

Cheers,
Mark

Great Artshow Photography Resource

Posted in Resources and Tips on March 19th, 2008 by Mark Rogers – Be the first to comment

Many photographers sell their photographs at artshows. If you are interested in this, or already selling at them you will want to check out Larry Berman’s Artshow Photo website. Larry has been involved in artshow photography selling his own work and helping others with consultation and jury services for many years. He has put together an incredible amount of resources on his website which includes the Art Show Photography Forum on Yahoo. The forum has thousands of members that freely talk about all aspects of art shows from applying to them, preparing your work from post processing all the way to final framing, jury slides, display equipment, and other related topics.

Cheers,
Mark

301 Inkjet Tips

Posted in Resources and Tips on February 22nd, 2008 by Mark Rogers – Be the first to comment


Andrew Darlow of Imaging Buffet has a great new book titled “301 Inkjet Tips and Techniques: An Essential Printing Resource for Photographers“. Andrew is a photographer, educator and digital imaging consultant with over 15 years experience in everything from digital photography to color management. The book is packed with over 500 pages of info on everything from equipment and papers to final portfolios and framed artwork.

If you would like to know more about the book before getting it check out Harald Johnson of Digital Printing & Imaging’s interview. Andrew also created a huge online resource of additional content for the book at www.inkjettips.com

Cheers, Mark
President
Frame Destination, Inc.

New Picture Frame Hanging Tool

Posted in Picture Framing, Resources and Tips on January 17th, 2008 by Mark Rogers – Be the first to comment


Do you hate trying to get the hanging nail hole in the right location when hanging picture frames? I certainly do and I was very glad to come across a new picture frame placer tool that helps make this much easier. I have seen a few others but they were expensive, complicated and required special hangers. The picture frame placer is inexpensive and simple to use. Photographers can easily hang their framed photos, gallery owners will be able to eliminate complex picture hanging systems, and professional decorators can confidently hang their clients’ framed art. It is just $5.95 and you can buy it on our website here: Picture Frame Hanging Help

Cheers,
Mark

CD/DVD Care, Handling, & Storage

Posted in Resources and Tips, Storage on August 19th, 2007 by Mark Rogers – Be the first to comment

From the National Institute of Standards and Technology’s special publication of the care and handling of Cds and DVDs

Quick Reference Guide for Care and Handling

Do:

  1. Handle discs by the outer edge or the center hole.
  2. Use a non solvent-based felt-tip permanent marker to mark the label side of the disc.
  3. Keep dirt or other foreign matter from the disc.
  4. Store discs upright (book style) in plastic cases specified for CDs and DVDs.
  5. Return discs to storage cases immediately after use.
  6. Leave discs in their packaging (or cases) to minimize the effects of environmental changes.
  7. Open a recordable disc package only when you are ready to record data on that disc.
  8. Store in a cool, dry, dark environment in which the air is clean.
  9. Remove dirt, foreign material, fingerprints, smudges, and liquids by wiping with a clean cotton fabric in a straight line from the center of the disc toward the outer edge.
  10. Use CD/DVD cleaning detergent, isopropyl alcohol or methanol to remove stubborn dirt or material.
  11. Check the disc surface before recording.

Do not:

  1. Touch the surface of the disc.
  2. Bend the disc.
  3. Use adhesive labels.
  4. Store discs horizontally for a long time (years).
  5. Open a recordable optical disc package if you are not ready to record.
  6. Expose discs to extreme heat or high humidity.
  7. Expose discs to extreme rapid temperature or humidity changes.
  8. Expose recordable discs to prolonged sunlight or other sources of UV light.
  9. Write or mark in the data area of the disc (area where the laser “reads”).
  10. Clean in a circular direction around the disc.

For CDs especially do not:

  1. Scratch the label side of a CD.
  2. Use a pen, pencil, or fine tip marker to write on the disc.
  3. Write on the disc with markers that contain solvents.
  4. Try to peel off or re-position a label.

Shipping Picture Frames

Posted in Business, Resources and Tips on August 17th, 2007 by Mark Rogers – Be the first to comment

No matter how well you pack everything, and even if you crate it, it might get damaged or completely lost. Make sure it is properly insured and try to leave adequate time to ship replacements if necessary.

Express shipments such as 3-Day Express or 2nd day air are handled less and treated a little more carefully than ground shipments.

For prints alone, the most economical is tubes and the safest method is PVC or PVC like tubing.

Acrylic is MUCH safer than glass. We only have acrylic damaged about once a year (and I am not sure how they manage to do it). When shipping glass make sure it is a few inches from all 6 sides of the box, the glass can not be allowed to flex, bind or vibrate against other items in the box.

If you are shipping expensive picture frames and/or artwork consider crating. It will significantly reduce the damage rate due to its strength and due to the fact that is harder to throw a crate. It can possibly still be pushed out of the back of a truck or lost so you still need to have proper insurance.

When we ship large glass we only do so for large frame orders so we can put it on a pallet and ship it freight. A heavy pallet is being moved by pallet mover instead of being thrown.
When we pack picture frames we place something between them such as foam or cardboard and use stretch film to secure them tightly to each other. The box will be vibrated and shaken for many hours so you want to make sure that the contents of the box do not damage each other. We take the resulting stack and wrap it with 1/2 bubble on all 6 sides. We then place this in a box that is couple inches larger on all 4 of the smaller or edge sides. We fill the remaining space with bubble, craft paper, or cardboard. What is used for void fill is not critical. It is critical that the void fill not compress overtime allowing the contents to start slamming around in the box. It is also critical that the contents can’t shift around the void fill and get next to the edge of the box. For that reason we do not use peanuts.

Cheers, Mark

Mat Board Types for Picture Frames

Posted in Mat Board, Resources and Tips on July 1st, 2007 by Mark Rogers – 1 Comment


The text below is from our website resource “Framing Information”, “Mat Board Types for Picture Frames” which I recently updated:

There are three components typically used for mat board manufacture
Wood pulp (paper)
Alpha cellulose
Cotton (Rag)

Wood pulp (or paper mat) is naturally acidic but can be buffered with calcium carbonate to temporarily shift the ph balance to alkaline. Some companies will market this as acid free but it will return to being acidic and start to harm the image in about 5 years. Paper mats are by far the least expensive and are considered by the manufactures to only be suitable for “temporary framing”.

Alpha cellulose and Cotton are more naturally inert (acid free) and may or may not be buffered which allows the mat board to absorb harmful acidic components from within the frame environment such as a wood frame which is very acidic. In general you do want the board to be buffered since it will help absorb acidic compounds being admitted from a wood frame and from the wall and reduce the time it takes the mat board to become contaminated.

In addition to looking for acid free, you also want to look for lignin free which is nearly as critical for achival. Paper mats typically aren’t but alpha cellulose and cotton usually are.

Although the vast majority of framing mat and mount boards are buffered a small selection of types and colors are available “unbuffered”. This is for a handful of much less common acid photographic printing processes such as Cyano and dye transfer which can react to the buffering.

Mat board composed of cotton is typically refereed to as “Rag” board and is generally composed of separate “ply’s” of cotton board dyed for color and layered to together in 4, 6, or 8 ply’s. 4-ply is generally about 1/16 of inch thick and 8-ply is about 1/8 of an inch thick. Paper and alpha cellulose boards are not separate ply’s but will often be referred to as 4-ply to give a relative indication of their approximate thickness.

Another term thrown around a lot is museum quality mat board. The highest quality cotton rag boards will often have much smaller color selection since they are manufactured with dye’s that are less likely to introduce harmful components into the frame package. All of the ply’s are dyed with this color so the mat board will have a consistent color all the way through. All Bainbridge rag board is like this, but Crescent has two levels of rag board. The standard rag board which is more equivalent to the Bainbridge alphamat, and then they also have their Ragmat Museum which is manufactured like this.

Most other mat board consists of a core made of cotton, alpha cellulose or paper that is typically cream colored or white and then laminated with the mat color. Most manufactures will offer a few other choices of core board color such as black. The color of the core will be visible in the bevel cut of the mat surrounding the image.

Another excellent protection is a coating of zeolite molecular traps which allow the mat board to absorb harmful environmental pollutants. Some types of prints are believed to be more susceptible to fading from environmental pollutants than they are from UV light. Bainbridge is the only company manufacturing mat board with this technology and they market it as treated with “Artcare”. Due to patent restrictions no other company can use this technology. In a few years this patent will run out and you will see it picked up by other companies. Artcare process also helps increase the time it takes for the mat board to become contaminated.

Bainbridge and Crescent are two of the largest and most common mat board manufacturers. Most custom frame shops around the country will offer a selection of mat boards from both of these companies. Most companies have many different levels of products from the 100% cotton rag board that is purified, colored with archival dye, buffered and treated with zeolites, all the way down to laminated paper mat board for decorative use. At the lowest level of paper mat board there will be differences in the color of the core (cream vs white) and the thickness. The least expensive mat boards being a just a little thinner (less material) with no option for white core or black core.

In short, you can look for buffered, acid free, lignin free, Artcare process, thickness and core color.

Classifieds and Link Directory

Posted in Business, Resources and Tips on June 3rd, 2007 by Mark Rogers – Be the first to comment

Frame Destination, Inc. has recently begun sponsoring a Free Classified Ads webpage for people for buying and selling items such as art, cameras or anything else. The Classifieds are powered by NetOffer which also has a free directory service we will sponsor in the near future. You can use this directory service to easily get a free link to your website.

Cheers,
Mark